Rebellion, Resistance, and Refuge: Slavery North’s Inaugural Conference Challenges the Revolutionary Archive


Dr. Charmaine A. Nelson, Provost Professor of Art History and Founding Director of Slavery North at the podium
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- Exposing Colonial Myths: Colby Gaudet interrogated Acadian myths of innocence by unearthing a chilling early nineteenth-century petition by white Acadian enslavers fighting to secure their legal property rights over black human beings.
- The Strategy of Grief: Scholar and poet Christopher D. Sims spoke eloquently on how enslaved ancestors actively transformed trauma into survival strategies, utilizing song and spirituals to defy the brutality of their status.
- Cruel Abandonment: While many black individuals were forced to accompany White Loyalist enslavers, James Tanzer revealed a darker truth: enslavers frequently abandoned elderly enslaved people to fend for themselves when fleeing to Loyalist spaces of safety.
- Material Control: Exploring the oil paintings of 18th-century Italian artist Agostino Brunias, Grayson Chong illustrated how white enslavers systematically rationed cloth and clothing as a rigid mechanism of physical and social control.
- The Black Maritime Node: Presenters Emily Field and Jamie Huff collaborated to explore black and indigenous military experiences in Bridgewater, Massachusetts, highlighting the complexities of black seamen who took on military service as a direct pathway to manumission, pensions, and citizenship.
- The Black Loyalist Fight:Graham Nickerson—a descendant of the 3,000 formerly enslaved black people evacuated to Nova Scotia and documented in The Book of Negroes—challenged attendees to defend the term “Black Loyalist.” He exposed how newly freed populations were systematically targeted for re-enslavement via predatory indentureship contracts.
- Agitation and Art:Julia Jorati analyzed the multi-layered individual and collective agitation for freedom in Massachusetts including legal case, petitions, and published letters, while Lisa Merrill offered a compelling look at revolutionary popular theatre, proving that many revered expressions of liberty were actually first conceived on eighteenth-century stages by white male actors trying to process the chaos of the war.

Panel 4: Circulating the Atlantic: Textiles, Tales, and Tars
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